Bernadette Hall is an award-winning poet who lives in North Canterbury. Her many books include The Merino Princess: Selected Poems (2004), and most recently The Lustre Jug (2009), The Judas Tree: Poems by Lorna Stavely Anker (2013) and Life & Customs (2013). In 2004 she visited Antarctica as a guest of Antarctic New Zealand; in 2006 she was Victoria University of Wellington’s Writer in Residence; and in 2007 she held the Rathcoola Residency in County Cork, Ireland. She was instrumental is setting up the Hagley Writers’ Institute in 2008 and tutored there until 2010. She is now the Patron of the Hagley Writers’ Institute and guest editored the first edition of the on-line journal, The Quick Brown Dog.
Melanie Dixon
Melanie Dixon has recently finished her second year at Hagley Writers’ Institute and has had work published for both adults and children . She was short-listed for the Royal Society of New Zealand Manhire prize for creative science writing 2012 and also for the Christine Cole Catley short story competition 2013. She is currently working on her first children’s novel.
Blackboy Peaches
Victoria Broome 2013
Come at the end of summer,
no one really knows their story,
although peaches did originate from China.
In her childhood my mother’s mother
stewed them until dark, dark crimson
they bled into the white tapioca on the plate.
I have come to love them in their furry,
mauve grey skin and watch them as they ripen
on the tree. They grow in France;
or did several centuries ago, the Peche de Vigne,
grown among the grapes to indicate disease.
That is a preferable name; the vineyard peach.
The fruit of warning, heart red flesh,
the sweetness beneath the difficult skin,
the one worth waiting for, the one that comes
as daylight saving ends, the one that comes
around the same time as the resurrection.
The one, like a shadow in the garden,
that Mary calls to and finds; it is her son.
Leslie Mckay
Leslie Mckay is a poet, story and song writer. She has read her work at Canterbury Public Library, the Wunderbar, the Bird Hall at Canterbury Museum and at the Pallet Pavilion. She runs poetry workshops for community groups and is collaborating with Lisa Tui on songs for an EP about pre and post quake Christchurch. She lives in the Maruia Valley.
Trees
Jeni Curtis 2013
Our neighbour was a man called Edward Woods. His friends called him Woodie and it suited him. He was a brown sort of man. Not tall but stocky. Tanned and gnarly. He wore walk shorts and his thighs sat hairily on the car seat next to me. He asked me to call him Edward, but I called him nothing. Or Mr Woods, if necessary.
My mother said to my father that Mrs Woods was flighty. I wasn’t too sure what that meant, but knew better than to ask. I sat quietly doing my homework at the kitchen table while mum did the ironing. Flighty seemed to me a lightweight sort of word, as if she could soar out of our little neighbourhood and reach the sky. I liked the idea of being flighty. Mrs Woods liked to hang out on the deck in her brunch coat, or a bikini in summer, smoke cigarettes and read magazines. She didn’t seem to me to soar. She looked bored. “She wears too much makeup for my liking,” said dad. “And she paints her toenails.” Mum smiled as if she’d won some sort of prize.
Mrs Woods’s name was Nita. She told me to call her that one day when I was poking around amongst the things on her dressing table. Oh, I wasn’t alone. I was sort of friends with her daughter, Natalie, who was a year or two younger. Natalie was the only girl in the vicinity, and we were thrown together where we might not have been friends in another time and place. Natalie was putting on her mother’s lipstick, Max Factor, Hawaiian Coral. There was matching polish and I dabbed it on my toenails, tentatively. I knew I was condemning myself to wearing socks till it wore off. “Call me Nita,” she said, as she lit another cigarette and let the smoke curl out her nostrils. “Nita by name and Nita by nature.” I knew she was making a joke because her room was cluttered with clothes. But, of course, I couldn’t call her that either. It’d be like calling my aunts or uncles by their first name. It just wasn’t done.
Natalie came to my house too. “A nice little girl,” mum said. “She won’t lead you astray.” Since we weren’t allowed to go anywhere else, I couldn’t see how this would happen anyway. We weren’t allowed anywhere near my parents’ bedroom. We could play in my room or the porch. I was getting too old for dolls and things and preferred to be by myself and read, but mum encouraged the friendship. “You must make an effort,” she’d say. “Poor child.” I was not meant to hear that as she muttered it under her breath. But I did. Anyhow, Natalie thought my parents were strange. Once I took her to see their bedroom when they were out in the garden and there was no risk of being caught. “You mean, they sleep in the same room, in the same bed?” said Natalie. “Together?”
I didn’t go to the same school as Natalie. She went to the convent where the nuns taught. I went to the local school which was in the opposite direction. I walked to school, cradling my bag on my hip like a toddler. Most kids biked with their bag on the carrier. But I liked to walk. It gave me time to think. But some mornings, Mr Woods passed by in his car. He’d stop and wind down the window and ask if I wanted a lift. At first I said no, but I asked mum and she didn’t see anything wrong with it. He was our neighbor and it was very kind of him, she explained.
So next time, I got into his car. I slid tentatively onto the brown vinyl seat, hugged my schoolbag to me, and said thank you.
We never talked much. I wasn’t a talker and, anyway, he was an adult. Sometimes he’d ask me about my schoolwork and I’d answer briefly and politely. It wasn’t as if the journey was long enough to strike up a conversation. He rested his hand on the gear lever as he drove and I studied the way the hairs ran down his fingers and brown spots freckled his skin. Occasionally while changing gears, his hand would knock against my knee. When I got out of the car, my eyes would meet his and he’d nod, as if something was understood. All day at school, the trace of his knuckles would burn like a scar underneath my gymfrock.
One day a fisherman found Nita floating near the rocks in the harbour. Natalie was sent to live with her grandparents and Mr Woods moved away. Once when I was in Wellington I thought I saw Natalie working in a shoe shop on Lambton Quay. Our eyes flickered past each others’ and we said nothing.
The summer Natalie left I took to wandering the hills behind my house. A windbreak of radiata pines marched down the hillside. I’d sit in the sun, and stare out to the sea, far in the distance, my back pressed against the rough gnarled bark. The tang of pine lay heavy in the air. I felt the warm brown pine needles prickle like hairs along the backs of my legs. My toenails shone like coral.
The Zookeeper Sings the Blues
I’m here to keep the animals, wolf, bear or kangaroo,
I’m the keeper of the animals, wolf, bear or kangaroo,
we aim for preservation, that’s the purpose of a zoo.
They live in their enclosures behind tall strong iron bars,
dwell in their enclosures, behind tall safe iron bars,
so people can enjoy them, their claws, their jaws, their scars.
You can hear the snarling tiger, and feel the lions roar,
the snarling fierce tiger, the resounding lion’s roar,
the squawking of the parrots, toucan, lorikeet, macaw.
The lemur from Madagascar has a long ringed curly tail,
he came from Madagascar with his long ringed curly tail,
to live in a foreign country, behind bars as if in jail.
The grey-backed hippopotamus, she swelters in her pool,
the gap-toothed hippopotamus rolls over in her pool,
it’s round and small and shallow, no way to keep her cool.
Their eyes watch me constantly, topaz, agate, amber,
I feel their eyes follow me, topaz, agate, amber,
they bore me like stigmata, with reproachful silent clamour.
The Romans they had circuses, the Spanish they have bulls,
the Romans had bread and circuses, the Spanish slaughter bulls,
all forms of entertainment to satisfy the fools.
The saddest of the animals, the big black chimpanzee,
he huddles in the corner, the sad-eyed chimpanzee,
we contemplate each other, which is him and which is me?
So many are endangered, we keep these in reserve
we’ve killed off all their brothers, we keep these in reserve,
if we manage now to save them, it’s more than we deserve.
One day I’ll take my keys and I’ll open every door
I’ll take my bunch of keys and open every gate and door
I’ll make a bid for freedom, reverse to jungle law.
But for now I take my bucket, filled with bone or grain
I take my metal bucket filled with bone and flesh and grain
I whisper to the animals, “you’ll soon be home again.”
Jeni Curtis
Jeni Curtis is a teacher and writer from Christchurch. She has a keen interest in Victorian literature and history. She is a member of the Christchurch branch of the International Dickens Fellowship, and editor of their magazine, Dickens Down Under.She completed the two year course at Hagley Writers’ Institute, 2011-2012. She has published poems, short prose pieces and short stories in various publications including the Christchurch Press, Takehe, JAAM, the Quick Brown Dog, NZPS anthology 2014, and 4th Floor. She is secretary of the Christchurch Poets’ Collective.
an extract from Maukatere: floating mountain
Bernadette Hall 2013
caged and crafted
like Gregor Samsa
in Kafka’s Metamorphosis
who is there willing to glow
like the wet stones in the wire gabion,
like underwater pulses
the acolyte shows me a leaf
‘we were born on that leaf, on that shoot,
our family’, she says
‘and I am one of the best leapers’
how lovely to walk with my arm around her waist
‘I am my own conman’ she says
and she repeats it
like the blade of light
that repeats itself
as it leaps off coca leaves
into the river
‘so this is it, she says, ‘this is the gold rush’
© BERNADETTE HALL 2013